{"created":"2023-05-15T14:59:35.356809+00:00","id":44,"links":{},"metadata":{"_buckets":{"deposit":"bc9f1d53-9933-4f8f-b329-96f64b541afb"},"_deposit":{"created_by":9,"id":"44","owners":[9],"pid":{"revision_id":0,"type":"depid","value":"44"},"status":"published"},"_oai":{"id":"oai:kamakura-wu.repo.nii.ac.jp:00000044","sets":["1:8"]},"author_link":["114","115"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"47","bibliographicPageStart":"39","bibliographicVolumeNumber":"24","bibliographic_titles":[{"bibliographic_title":"鎌倉女子大学紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"The journal of Kamakura Women's University","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究は、初期の「保育唱歌」の訳詞や作詞をおこなった東京女子師範学校附属幼稚園保母の豊田芙雄が書き残した自筆の文書の解読を通して、作曲者である宮内省雅楽課式部寮伶人たちの立場からの「保育唱歌」作成のプロセスを検討することにある。その結果、幼稚園の唱歌遊戯の教材作成を目的として始まった「保育唱歌」の作曲は、東京女子師範学校本科の生徒、さらに不特定多数の聴衆を対象にした演奏会プログラムなど、適用の範囲が広がっていく中で質的変容を遂げていったことが明らかになった。"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"鎌倉女子大学"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10434900","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"9199780","subitem_source_identifier_type":"ISSN"}]},"item_10002_textarea_24":{"attribute_name":"抄録（英）","attribute_value_mlt":[{"subitem_textarea_value":"The aim of this study is to examine the creative process of Hoiku Shoka from the perspective of the Reijin, members of the Gagaku Department of the Court Ministry, who were engaged in its composition. The study was conducted by analyzing autographed manuscripts written by Fuyu Toyoda, a teacher at the Tokyo Women's Normal School Kindergarten who worked as a translator and lyric writer during the early Hoiku Shoka period. Originally, Hoiku Shoka began as a collection of educational songs for kindergarten instruction. It then started being used for various purposes, such as for Tokyo Women's Normal School students or unspecified audiences at concerts. The study reveals that the music composition quality underwent changes under the circumstances."}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"東, ゆかり","creatorNameLang":"ja"},{"creatorName":"アズマ, ユカリ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Azuma, Yukari","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-03-24"}],"displaytype":"detail","filename":"東 ゆかり.pdf","filesize":[{"value":"2.3 MB"}],"format":"application/pdf","licensetype":"license_5","mimetype":"application/pdf","url":{"label":"東","url":"https://kamakura-wu.repo.nii.ac.jp/record/44/files/東 ゆかり.pdf"},"version_id":"f77a434a-5891-4796-ba6e-c2f1f5f523fe"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"保育唱歌"},{"subitem_subject":"伶人"},{"subitem_subject":"雅楽"},{"subitem_subject":"豊田芙雄"},{"subitem_subject":"Hoiku Shoka"},{"subitem_subject":"Reijin"},{"subitem_subject":"Gagaku"},{"subitem_subject":"Fuyu Toyoda"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_title":"保育唱歌におけるフレーベル主義 ー作曲家宮内省式部寮雅楽課伶人の立場からー","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"保育唱歌におけるフレーベル主義 ー作曲家宮内省式部寮雅楽課伶人の立場からー"},{"subitem_title":"Froebelism and Hoiku Shoka : From the Perspective of the Reijin from the Gagaku Department of the Court Ministry Responsible for Musical Composition"}]},"item_type_id":"10002","owner":"9","path":["8"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-03-24"},"publish_date":"2017-03-24","publish_status":"0","recid":"44","relation_version_is_last":true,"title":["保育唱歌におけるフレーベル主義 ー作曲家宮内省式部寮雅楽課伶人の立場からー"],"weko_creator_id":"9","weko_shared_id":-1},"updated":"2023-07-14T06:11:21.611549+00:00"}