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        <identifier>oai:kamakura-wu.repo.nii.ac.jp:00000283</identifier>
        <datestamp>2023-05-15T15:23:59Z</datestamp>
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        <jpcoar:jpcoar xmlns:datacite="https://schema.datacite.org/meta/kernel-4/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcndl="http://ndl.go.jp/dcndl/terms/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:jpcoar="https://github.com/JPCOAR/schema/blob/master/1.0/" xmlns:oaire="http://namespace.openaire.eu/schema/oaire/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rioxxterms="http://www.rioxx.net/schema/v2.0/rioxxterms/" xmlns:xs="http://www.w3.org/2001/XMLSchema" xmlns="https://github.com/JPCOAR/schema/blob/master/1.0/" xsi:schemaLocation="https://github.com/JPCOAR/schema/blob/master/1.0/jpcoar_scm.xsd">
          <dc:title>中田喜直の歌曲集『こどものための8つのうた』における音楽的特質</dc:title>
          <dc:title>The Characteristics of Yoshinao NAKADA's Song Album "8 SONGS FOR CHILDREN"</dc:title>
          <jpcoar:creator>
            <jpcoar:creatorName>薩摩林, 淑子</jpcoar:creatorName>
          </jpcoar:creator>
          <jpcoar:creator>
            <jpcoar:creatorName xml:lang="en">SATSUMABAYASHI, Sumiko</jpcoar:creatorName>
          </jpcoar:creator>
          <jpcoar:subject>中田喜直</jpcoar:subject>
          <jpcoar:subject>芸術歌曲集『こどものための8つのうた』</jpcoar:subject>
          <jpcoar:subject>童謡</jpcoar:subject>
          <jpcoar:subject>ピアノパート</jpcoar:subject>
          <jpcoar:subject>Yoshinao NAKADA</jpcoar:subject>
          <jpcoar:subject>Song album "8 SONGS FOR CHILDREN"</jpcoar:subject>
          <jpcoar:subject>Children's song</jpcoar:subject>
          <jpcoar:subject>Piano-part</jpcoar:subject>
          <datacite:description>本稿では、中田喜直の歌曲集『こどものための8つのうた』を題材に、詩「童謡」と音楽との関わり、ピアノパートの書法について楽曲分析を行い、その音楽的特質を探究した。その結果、詩「童謡」に描かれた子供の心情・視点の変化が、転調による音の響きの変化を用いて表現されていた。ピアノパートにおいては、① 1曲内において多様な音組織を併用する書法、②日本的な音組織の使用、③後奏における響かせ方、の各詳細を明らかにした。以上より『8つのうた』は、子供の心情・生活を多彩な書法を用い幻想的な響きで表現した音楽であることを考察した。</datacite:description>
          <datacite:description>In this paper, I discuss the characteristics of Yoshinao NAKADA's song album "8 SONGS FOR CHILDREN". I examine the relationship between the poems for children and music, and analyze the piano-parts focusing on his writing style. I point out a variety of writing styles, which represents 'a world of children'. About piano-parts, I point out the details of his writing style ; e.g. the use of scales, intervals, accords, and sounds in the coda. "8 SONGS", represents 'children's feelings, life', are song album for adults and have a variety of sounds and fantasic sounds.</datacite:description>
          <datacite:date dateType="Issued">2005-03-31</datacite:date>
          <dc:language>jpn</dc:language>
          <jpcoar:identifier identifierType="DOI">https://doi.org/10.18990/00000273</jpcoar:identifier>
          <jpcoar:identifier identifierType="URI">https://kamakura-wu.repo.nii.ac.jp/records/283</jpcoar:identifier>
          <jpcoar:sourceIdentifier identifierType="NCID">AN10434900</jpcoar:sourceIdentifier>
          <jpcoar:sourceIdentifier identifierType="ISSN">09199780</jpcoar:sourceIdentifier>
          <jpcoar:sourceTitle>鎌倉女子大学紀要</jpcoar:sourceTitle>
          <jpcoar:sourceTitle xml:lang="en">The journal of Kamakura Women's University</jpcoar:sourceTitle>
          <jpcoar:issue>12</jpcoar:issue>
          <jpcoar:pageStart>25</jpcoar:pageStart>
          <jpcoar:pageEnd>33</jpcoar:pageEnd>
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            <jpcoar:extent>768.0 kB</jpcoar:extent>
            <datacite:date dateType="Available">2017-05-30</datacite:date>
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